The "Landscape Series" started in 2018 and have been exhibited in Argentina, Bosnia, Brazil, Portugal and Russia.
The project was developed with the idea to express itself as a reset of the classic academic landscape painting exercise, for the representation of a wide and careful composition of natural bodies in various geographic, chromatic and climacteric contexts, where human or artificial structures were, sometimes, also included.
The intention is to remove the term “scenic”, two-dimensional aspects and artificial presences from this artistic expression, updating it to a contemporary context, with four dimensions, leading the viewer to witness this landscape, thus, we no longer integrate an individual graphic interpretation, but evolving to a full experience with a tectonic reaction that encompasses multiple perceptions and interpretations.

Through these constructions, the artist reveals his imaginary, just as the viewer reveals his perception.
The desired contrast between reality and illusion, the organic and the geometric, the natural and the artificial is born.
Pedro then develops an investigation based on the importance of bodily presence in situ and its relationship with ourselves and memory. In this way, he links before our eyes the environment and human perception in their constant and eternal dialogue.